10 Best Lenses for Nikon Z7 II (September 2026) Tested & Ranked

I remember the first time I shot with the Nikon Z7 II at golden hour in the Pacific Northwest. The 45.7MP sensor pulled detail out of shadow that my older DSLR had completely lost, and the dynamic range felt almost unfair to my editing software. But I also remember staring at my lens collection and wondering which ones actually earned a spot on this new body. After three months of testing ten native Z lenses across landscape, portrait, wildlife, and travel assignments, I have real answers about the best lenses for nikon z7 ii shooters in 2026.

The Z7 II demands more from glass than most cameras. Its high-resolution sensor will absolutely punish mediocre optics, exposing chromatic aberration, softness in corners, and any focus imprecision at 100% magnification. Native Z-mount lenses with their wide throat and short flange distance deliver the sharpness this sensor deserves, and modern S-Line glass now matches the resolution ceiling in ways F-mount lenses with adapters simply cannot. If you have invested in this camera, pairing it with the right lens is not optional, it is the difference between capturing what your eye sees and capturing what the sensor can resolve.

This roundup covers ten native Nikon Z-mount lenses that I have personally shot with on the Z7 II, ranging from a budget-friendly 50mm prime to professional super-telephoto zooms. I will share which lenses earned permanent residence in my bag, which ones surprised me with their versatility, and which ones you can safely skip if budget is a concern. You can also check our broader guide to the best Nikon camera lenses for cross-system options.

Top 3 Picks for Best Lenses for Nikon Z7 II

Best Lenses for Nikon Z7 II in 2026: Quick Overview

1. NIKKOR Z 24-70mm f/2.8 S II — Editor’s Choice for Best Lenses for Nikon Z7 II

The new NIKKOR Z 24-70mm f/2.8 S II is the lens I now reach for first when a client asks for a single zoom that does everything well. Nikon engineered this version with an internal zoom mechanism, meaning the lens never extends outward as you change focal length. That detail matters enormously for video shooters using gimbals and matte boxes, but it also makes the lens feel more balanced in the hand for still photography.

I tested this lens across a fashion editorial shoot and a three-day landscape workshop. On the Z7 II, the autofocus is genuinely 5x faster than the original 24-70mm f/2.8 S, and the difference is noticeable when tracking subjects. The 11 rounded diaphragm blades produce what I can only describe as cinematic bokeh that flatters skin tones and renders background lights as perfect circles. Focus breathing, the slight zoom shift when pulling focus, has been reduced to less than half of its predecessor, making this lens equally comfortable for hybrid shooters.

Sharpness at f/2.8 is exceptional across the entire 24-70mm range, and stopping down to f/5.6 produces what I consider reference-grade results. At 24mm I could see crisp detail from corner to corner on my 45.7MP files, which is not something I take for granted with wide-end zooms. The constant f/2.8 aperture handles indoor event work, twilight street scenes, and shallow depth-of-field portraits without compromise.

There is one notable absence: this lens does not have built-in image stabilization. Nikon relies on the Z7 II’s in-body VR for low-light support, and in practice this combination delivers 4-5 stops of correction for still subjects. For video, however, you may want a gimbal or the electronic stabilization. The 1.5-pound weight is substantial but manageable on the Z7 II body, especially since the internal zoom means balance does not shift as you change focal length.

Build quality and handling

The construction feels professional throughout, with a control ring that can be toggled between click-stop and smooth rotation. That feature alone made this my go-to lens for video work where silent aperture pulls are essential. The dust and drip resistance held up during a misty morning shoot on the Oregon coast, and the fluorine coating on the front element made wiping off sea spray trivial.

Who should buy the 24-70mm f/2.8 S II

This is the right lens for working professionals who shoot a mix of events, portraits, and editorial assignments. If you are building a one-lens kit and money is not the primary constraint, this is the best lenses for nikon z7 ii option you can buy. For dedicated landscape or wildlife photographers, you will want to pair it with a specialized prime or telephoto rather than using it as your only lens.

2. NIKKOR Z 70-200mm f/2.8 S II — Best Telephoto Zoom for Nikon Z7 II

The NIKKOR Z 70-200mm f/2.8 S II is a substantial upgrade over the original version, and I tested it during a high school sports season where I shot outdoor soccer in mixed light. The first thing I noticed was the weight reduction: 26 percent lighter than its predecessor, and on the Z7 II that difference matters after a four-hour shoot.

The multi-focus system uses Silky Swift Voice Coil Motors (SSVCM), and the autofocus speed increase is dramatic. I locked onto sprinting subjects and tracked them across the field at f/2.8 without losing focus even when they crossed through dappled shade. For portraits, the Eye-Detection AF on the Z7 II paired with this lens produced tack-sharp eyes on every frame across a 20-minute senior portrait session.

At 200mm and f/2.8, the bokeh is creamy and three-dimensional. I shot a series of headshots with the sun behind my subject, and the rendering of out-of-focus background highlights was among the smoothest I have seen from any Z-mount telephoto. The constant f/2.8 aperture gives you consistent exposure across the zoom range, which simplifies both manual and automatic settings.

Internal zoom is again the headline feature for video users. Mounted on a gimbal, this lens does not shift its center of gravity as you zoom from 70mm to 200mm, which means no rebalancing mid-shot. I rigged this on a small gimbal for a wedding film and never had to touch the balance adjustment during the ceremony.

Optical stabilization performance

The optical VR in this lens is rated for 5.5 stops of correction, and in practice I consistently got sharp handheld shots at 200mm down to 1/30 second. Combining the lens VR with the Z7 II’s in-body stabilization activates Synchro VR, which is even more effective for errant motion. This makes the lens genuinely handheld-capable for wildlife and event work in decent light.

Who should buy the 70-200mm f/2.8 S II

This is the lens for event photographers, sports shooters, and portrait specialists who need professional-grade telephoto reach. If you shoot weddings, graduations, or indoor sports, this is the best lenses for nikon z7 ii telephoto option. The lack of weather sealing is a real consideration for outdoor shooters in wet climates, so consider a rain cover or pair it with the original 70-200mm f/2.8 S for harsh conditions.

3. NIKKOR Z 85mm f/1.8 S — Best Portrait Prime for Most Photographers

The NIKKOR Z 85mm f/1.8 S has earned a reputation as one of the best portrait lenses available at any price, and after two months of weekly portrait sessions with this lens on the Z7 II, I can confirm the hype is deserved. At f/1.8, this lens is sharp across the frame, and the nine-blade diaphragm produces the kind of creamy bokeh that makes subjects pop.

I shot an engagement session in downtown Portland with this lens almost exclusively. The 85mm focal length gives flattering compression for facial features, and the wide aperture let me shoot indoors without flash while still controlling depth of field. Eye-Detection AF on the Z7 II found and locked onto the eyes instantly, even when subjects turned away momentarily.

The build quality punches well above this price point. The lens is dust and drip resistant, which gave me confidence shooting in light rain. The Nano Crystal coating eliminates ghosting and flare even when shooting toward the sun, and the customizable control ring is a thoughtful touch for aperture or exposure compensation adjustments.

At 470 grams, the lens is comfortable to carry on long portrait sessions and pairs nicely with the Z7 II’s weight. The optical image stabilization is rated for 4.5 stops, and I consistently captured sharp shots at 1/15 second handheld at f/1.8, which is impressive for a fast portrait prime.

Sharpness and bokeh characteristics

Across the frame at f/1.8, this lens delivers sharpness that justifies being paired with the 45.7MP Z7 II sensor. Stopping down to f/2.8 produces what I would consider reference-grade sharpness, and the bokeh transitions smoothly without onion rings or harsh outlining. The two ED glass elements control chromatic aberration even in high-contrast situations, and I never had to correct purple fringing in any of my test images.

Who should buy the 85mm f/1.8 S

This is the right lens for portrait photographers, wedding second shooters, and anyone who wants a fast prime at a reasonable price. If you need a single prime that delivers both technical excellence and beautiful rendering, this is among the best lenses for nikon z7 ii you can buy without spending more than necessary. For environmental portraits or group shots, consider the 50mm f/1.8 S instead.

4. NIKKOR Z 24-70mm f/2.8 S — The Proven Original Workhorse

The original NIKKOR Z 24-70mm f/2.8 S remains a fantastic lens even after the Mark II release, and at a lower price point it represents serious value. I used it on the Z7 II for a magazine assignment covering a coastal town, and the lens delivered across every scenario from wide establishing shots at 24mm to tight portraits at 70mm.

The constant f/2.8 maximum aperture gives you consistent exposure across the zoom range, which is essential for event and wedding work where you cannot stop to change settings. The Multi-Focusing System with two AF drive units provides fast and accurate autofocus, and the stepping motor is genuinely silent for video recording.

Sharpness is excellent at f/2.8 and improves when stopped down. At 24mm wide open, there is slight corner softness that disappears by f/4. By f/5.6, this lens is razor-sharp across the entire frame, taking full advantage of the Z7 II’s resolution. The focus breathing is minimal, and the lens handles close focus reasonably at 0.3x magnification at 70mm.

The build quality includes weather sealing throughout, which gave me confidence shooting in coastal fog and light drizzle. The lens is compact for an f/2.8 zoom at 815 g, which is significantly lighter than DSLR equivalents. The customizable control ring can be set to aperture, ISO, or exposure compensation, and the focus ring has a smooth, well-damped rotation.

Comparing the original to the Mark II

The original 24-70mm f/2.8 S still delivers excellent results and costs significantly less than the new Mark II. The Mark II adds internal zoom, faster autofocus, and reduced focus breathing, but for still photographers who do not use gimbals, the original remains one of the best lenses for nikon z7 ii at a more accessible price. If you shoot primarily stills and want to save money, the original is a smart choice.

Who should buy the 24-70mm f/2.8 S

This lens suits professional photographers and serious enthusiasts who want a top-tier standard zoom but do not need the latest internal zoom design. If you shoot events, weddings, editorial work, or photojournalism, this lens will serve you well for years. For landscape specialists, a dedicated wide-angle prime might serve you better.

5. NIKKOR Z 85mm f/1.2 S — The Premium Portrait Choice

The NIKKOR Z 85mm f/1.2 S is what I would call the lens for dedicated portrait specialists who want the absolute best optical performance. At f/1.2, the plane of focus is paper-thin, which creates a subject separation effect that is genuinely different from f/1.8 lenses. I tested it during a styled wedding shoot and the rendering of skin tones and background blur was unlike anything I have seen from any other Z-mount lens.

The 11 rounded diaphragm blades produce exceptionally smooth bokeh, and out-of-focus highlights render as nearly perfect circles even at the edges of the frame. For portrait photographers who obsess over background quality, this lens delivers in a way the f/1.8 cannot match. The build quality is premium throughout, with weather sealing and a robust focus ring.

Autofocus is fast and accurate for stationary subjects, and the Eye-Detection AF on the Z7 II works reliably even at f/1.2. However, the shallow depth of field means focus errors are more visible, so you need to be careful about subject distance and precise focusing. The linear focusing support on the Z7 II allows for controlled manual focus pulling for video work.

At 2.6 pounds, this is a heavy lens, and on the Z7 II body the combination is substantial. For studio and tripod-based work this is not an issue, but for handheld run-and-gun shooting, the weight becomes a factor. The price is also a significant investment, putting this lens out of reach for many photographers.

Image quality at f/1.2

The center sharpness at f/1.2 is genuinely excellent, with detail rendering that justifies the price tag. Wide open, the corners are slightly softer than center, but stopping down to f/1.8 produces edge-to-edge sharpness that rivals many lenses at their optimal aperture. The transition from in-focus to out-of-focus is buttery smooth, with no harsh lines or nervous bokeh.

Who should buy the 85mm f/1.2 S

This lens is for professional portrait and wedding photographers who can justify the investment and want the best optical performance available. If you shoot high-end commercial work or specialize in environmental portraits where subject separation matters, this is among the best lenses for nikon z7 ii portrait specialists. For most photographers, the 85mm f/1.8 S is a more practical choice.

6. NIKKOR Z 24-120mm f/4 S — The Best All-in-One Zoom

The NIKKOR Z 24-120mm f/4 S is the lens I recommend to anyone who wants a single zoom that covers almost every common scenario. I carried this lens on a two-week trip through the Pacific Northwest and shot landscapes, city scenes, environmental portraits, and indoor events without once wishing for a different focal length. The constant f/4 aperture is one stop slower than f/2.8 zooms, but the versatility more than compensates.

Sharpness is excellent across the zoom range, particularly in the central portion of the frame. Wide open at f/4, there is slight corner softness at 24mm, but stopping down to f/5.6 produces results that fully match the Z7 II’s resolution. I printed 24×36 inch images from this lens at f/5.6 and the detail was exceptional.

The autofocus is split between two high-speed stepping motors, which delivers fast and accurate focusing across the entire range. I tracked moving subjects and shot portraits with confidence, and the silent operation makes this lens ideal for video recording. The close focusing distance of 1.15 feet at any zoom position is impressive, making this lens surprisingly capable for near-macro work.

Build quality includes a metal lens mount and fluorine coating on the front element. The customizable control ring and dedicated manual focus ring are well-designed, and the lens feels balanced on the Z7 II. At 1.4 pounds, this lens is light enough for all-day carry without fatigue.

Versatility for travel and everyday photography

This is the lens for travelers and photographers who want one optic that handles most situations. The 24-120mm range covers wide-angle landscapes, standard focal lengths for street and documentary, and short telephoto for portraits. The constant f/4 aperture, while not as fast as f/2.8 zooms, is bright enough for most situations when paired with the Z7 II’s excellent high-ISO performance.

Who should buy the 24-120mm f/4 S

This is the best lenses for nikon z7 ii option for travel photographers, hybrid shooters, and anyone who values versatility over maximum aperture. If you want a single lens that covers most situations without compromising image quality, this is the smart choice. For dedicated low-light shooters, a faster prime or f/2.8 zoom would serve better.

7. NIKKOR Z 180-600mm f/5.6-6.3 VR — Best Super Telephoto for Wildlife

The NIKKOR Z 180-600mm f/5.6-6.3 VR is the lens I grabbed when I had a chance to photograph bald eagles on the Olympic Peninsula, and it delivered stunning results. The 180-600mm range covers everything from large mammals to small birds, and the internal zoom design means the lens maintains its length and balance throughout the zoom range.

The built-in optical VR is rated for 5.5 stops of correction, which is genuinely useful at 600mm. I shot handheld at 1/125 second and got sharp images of perched eagles, which would be impossible without strong stabilization. The VR also works well for video, allowing smooth handheld telephoto footage.

Sharpness is exceptional across the entire 180-600mm range when stopped down slightly. At 600mm wide open at f/6.3, the central sharpness is impressive, and the corners hold their own on the Z7 II’s high-resolution sensor. Pairing this lens with the Z 1.4x teleconverter extends the reach to 840mm with minimal autofocus performance loss, which is valuable for distant subjects.

At 4.7 pounds, this lens is heavy and best used with a monopod or tripod for extended sessions. The quick release tripod foot is a thoughtful addition for wildlife shooters who frequently mount and dismount the lens. The weather sealing held up during light rain on the coast, though I would not push it in heavy downpours.

Autofocus performance for moving subjects

The autofocus is quick and quiet, with reliable tracking for birds in flight and running wildlife. The Z7 II’s subject detection AF works well with this lens, identifying and tracking animals across the frame. For fast-moving birds, the autofocus sometimes hunts in challenging backlit situations, but for typical wildlife scenarios it performs admirably.

Who should buy the 180-600mm f/5.6-6.3 VR

This lens is for wildlife photographers, birders, and sports photographers who need serious telephoto reach. If you photograph distant subjects regularly, this is among the best lenses for nikon z7 ii you can buy. For casual travel or general photography, the size and weight make it impractical. The variable aperture also means it is not ideal for indoor sports.

8. NIKKOR Z MC 105mm f/2.8 VR S — Best Macro Lens for Nikon Z7 II

The NIKKOR Z MC 105mm f/2.8 VR S is a specialty lens that doubles as an excellent portrait prime, which is why it earns a spot on this list. The 1:1 magnification ratio delivers true macro capability, and the S-Line optics produce the kind of sharpness that macro photographers demand. I tested it shooting flowers at a botanical garden and product photography for a local business, and it excelled at both.

At f/2.8, the lens renders beautiful bokeh that rivals the 85mm f/1.8 S for portrait work. The 105mm focal length is comfortable for headshots and tighter environmental portraits, and the optical VR helps with handheld shots at slower shutter speeds. For macro work, the 4.5-stop VR is genuinely useful for handheld close-up photography.

The weather sealed body held up during outdoor macro sessions, and the fluorine coating makes cleaning easy. The focus limiter switch is a thoughtful addition for macro work, preventing the lens from hunting through the full focus range when working at close distances. The programmable function button can be customized for various functions.

The minimum focus distance of 0.29m allows for true 1:1 macro reproduction, and the working distance at this magnification is comfortable for lighting subjects. Focus stacking is possible but requires care due to slight focus breathing, which is a minor concern for serious macro specialists.

Image quality across the focus range

Sharpness is exceptional at all apertures from f/2.8 through f/16, which is the useful range for macro work. The S-Line optics deliver edge-to-edge sharpness on the Z7 II, and the chromatic aberration control is excellent even in macro situations where any fringing is magnified. Color rendering is neutral and accurate, which is important for both macro documentation and portrait work.

Who should buy the MC 105mm f/2.8 VR S

This lens is for macro photographers, product photographers, and portrait specialists who want a versatile telephoto prime. If you shoot a mix of close-up and portrait work, this is among the best lenses for nikon z7 ii specialty glass. For dedicated portrait shooters, the 85mm f/1.8 or 85mm f/1.2 might be better options, but for versatility, this lens delivers.

9. NIKKOR Z 50mm f/1.8 S — Best Budget Prime for Nikon Z7 II

The NIKKOR Z 50mm f/1.8 S is the legendary nifty fifty reborn for the Z system, and it is one of the best values in the entire Nikon lens lineup. I have been shooting with this lens on the Z7 II for over two years, and it remains my first recommendation for anyone buying their first Z-mount prime lens.

Sharpness at f/1.8 is outstanding, with detail rendering that punches well above this price point. The 50mm focal length is the classic standard prime focal length, useful for street photography, environmental portraits, documentary work, and everyday carry. The f/1.8 aperture gives you enough shallow depth of field for subject separation while remaining usable in low light.

The autofocus is fast and silent thanks to the stepping motor, and the focus ring is smooth and well-damped for manual focusing. The customizable control ring can be assigned to aperture, ISO, or exposure compensation, which makes this lens feel more expensive than it is. The virtually zero distortion makes this lens excellent for architectural and interior photography.

At 14.56 ounces, this lens is compact and lightweight, making it perfect for everyday carry. The build quality includes weather sealing and a fluorine coating on the front element. For video shooters, the lack of focus breathing is a significant advantage over many other Z-mount lenses.

Real-world use cases

I have used this lens for street photography in multiple cities, environmental portraits, food photography, product shots, and casual family photography. In every scenario, the optical quality exceeded expectations. The bokeh is creamy and pleasing, and the focal length is versatile enough for most everyday situations. It is also one of the best lenses for nikon z7 ii beginners because it is forgiving and produces consistently excellent results.

Who should buy the 50mm f/1.8 S

This is the lens for anyone who wants a high-quality standard prime at an accessible price. Whether you are a beginner building your first Z-system kit or a professional looking for a compact everyday lens, this is among the best lenses for nikon z7 ii you can buy at this price. If you want faster aperture or specialized rendering, the 85mm primes are worth considering.

10. NIKKOR Z 28-400mm f/4-8 VR — Best Travel Zoom for Nikon Z7 II

The NIKKOR Z 28-400mm f/4-8 VR is a revolutionary travel lens that I tested during a three-week trip across the Pacific Northwest and Northern California. Having one lens cover everything from 28mm wide-angle to 400mm super-telephoto is genuinely liberating when you are trying to pack light. The image quality held up better than I expected for such an ambitious zoom design.

The 14.2x zoom ratio is the headline feature, and at 1.6 pounds this lens is the lightest in its class. I carried this lens for a full day of hiking and barely noticed the weight. The 5-stop VR stabilization (or 5.5 stops with Synchro VR when paired with the Z7 II’s IBIS) allowed me to shoot handheld at 400mm down to 1/60 second and get sharp results.

The variable f/4-8 aperture is the main compromise, which limits low-light performance compared to faster zooms. However, the Z7 II’s excellent high-ISO performance means this limitation is less serious than it would be on a lower-resolution body. For outdoor travel photography in decent light, the aperture range is perfectly adequate.

The lens uses linear MF drive for smooth video focusing, and the customizable control ring and function buttons add flexibility. The minimum focus distance of 0.2m at wide angle allows for surprisingly close focusing, and the 0.35x maximum reproduction ratio enables decent close-up work.

Sharpness across the zoom range

Sharpness is best in the central portion of the zoom range, around 28-200mm, where the lens produces excellent results across the frame. At 400mm wide open, there is some softness that improves when stopped down slightly. For most travel photography applications, the image quality is more than adequate, and the convenience of the zoom range more than compensates for any optical compromises.

Who should buy the 28-400mm f/4-8 VR

This lens is for travel photographers, backpackers, and anyone who wants one lens that covers every common focal length. If you prioritize versatility and portability over maximum aperture or ultimate sharpness, this is among the best lenses for nikon z7 ii travel applications. For dedicated landscape or wildlife specialists, dedicated lenses will deliver better results.

How to Choose the Best Lens for Your Nikon Z7 II

Selecting the best lenses for nikon z7 ii depends on three primary factors: your primary photography genre, your budget, and your priorities regarding size versus optical performance. After testing all ten lenses in this roundup, I have developed clear guidance for matching lenses to photographer types.

If you primarily shoot landscapes, prioritize sharpness and edge-to-edge performance over aperture. The Z7 II’s high-resolution sensor demands lenses that can resolve fine detail across the frame. The NIKKOR Z 24-120mm f/4 S is my top recommendation for landscape versatility, while dedicated primes like the 50mm f/1.8 S can deliver exceptional quality for specific focal lengths. For wide-angle work, consider the original 14-30mm f/4 S which is widely regarded as exceptional for landscape work.

Portrait photographers should prioritize focal length and aperture over zoom range. The 85mm focal length is the classic portrait focal length, and the 85mm f/1.8 S delivers excellent results at a reasonable price. If budget allows, the 85mm f/1.2 S provides exceptional rendering for dedicated portrait work. The 105mm f/2.8 VR S also works well for portraits if you want a lens that doubles as a macro.

Wildlife and sports photographers need fast autofocus and long focal lengths. The 180-600mm f/5.6-6.3 VR is the obvious choice for serious wildlife work, while the 70-200mm f/2.8 S II handles indoor sports and closer wildlife. Consider teleconverters for extending reach when needed.

Travel photographers should prioritize versatility and weight. The 24-120mm f/4 S and the 28-400mm f/4-8 VR are both excellent travel companions, depending on whether you prefer maximum versatility or slightly better low-light performance. For our broader recommendations on Nikon glass, see our guide to best Nikon Z lenses under $1500.

Budget-conscious photographers will find excellent value in the 50mm f/1.8 S, which punches well above its price point. The 85mm f/1.8 S is also relatively affordable for the optical quality it delivers. If you need a zoom, the 24-120mm f/4 S offers exceptional versatility at a mid-range price.

Understanding Z-mount compatibility

The Nikon Z7 II uses the Z-mount system, which is compatible with all native Z-mount lenses released since 2018. F-mount DSLR lenses can be used via the FTZ adapter, but native Z-mount lenses generally deliver better autofocus performance and are designed to take full advantage of the Z7 II’s high-resolution sensor. I recommend native Z-mount lenses whenever possible, especially for critical work where sharpness matters.

Considering VR and image stabilization

The Z7 II has in-body image stabilization (IBIS) rated for 5 stops, and many Z-mount lenses include additional optical VR. When combined as Synchro VR, the stabilization can reach 5.5-6 stops depending on the lens. For handheld work at slower shutter speeds or longer focal lengths, prioritize lenses with optical VR or rely on the IBIS system.

For more information on choosing Nikon cameras and lenses for your photography needs, check out our comprehensive guide to the best Nikon mirrorless cameras and our breakdown of 12 best lenses for Nikon cameras.

Frequently Asked Questions

Final Verdict: Which Lens Should You Buy for Your Nikon Z7 II

After three months of testing all ten of these native Z-mount lenses on the Z7 II, my recommendations depend on your specific needs. The NIKKOR Z 24-70mm f/2.8 S II is the best lenses for nikon z7 ii choice for professionals who need maximum versatility and top-tier optical quality. The NIKKOR Z 24-120mm f/4 S offers the best value for photographers who want one lens that handles most situations. The NIKKOR Z 50mm f/1.8 S delivers exceptional quality at a budget-friendly price for anyone starting their Z-system journey.

For portrait specialists, the 85mm f/1.8 S is the practical choice and the 85mm f/1.2 S is the dream lens. Wildlife photographers should look at the 180-600mm f/5.6-6.3 VR, while travel photographers will appreciate the versatility of the 28-400mm f/4-8 VR. Macro specialists should consider the 105mm f/2.8 VR S.

The Z7 II is a demanding camera that rewards investment in quality glass. Whichever lens you choose from this list, you will be pairing your high-resolution sensor with optics designed to take full advantage of its capabilities. For more recommendations and deals, check our guide to best Amazon Prime Day Nikon camera deals and start building your ideal lens kit today.