I spent three months testing microphone shock mounts to find out which ones actually eliminate handling noise and which ones just look the part. If you have ever recorded a podcast, vocal take, or voiceover and heard a low-frequency rumble every time someone taps the desk or shifts in their chair, you already know why a good shock mount matters.
A shock mount is a suspension device that isolates your microphone from mechanical vibrations traveling through the mic stand or boom arm. It uses elastic bands, rubber rings, or Lyre-style suspension arms to absorb vibrations before they reach the microphone capsule. This prevents low-frequency rumble, desk vibration noise, and handling thumps from ruining your recordings.
In this guide, I break down the best shock mounts available in 2026 across every category, from studio condenser microphones to shotgun mics and portable recorders. I also cover what to look for when buying, including compatibility, thread sizes, and build quality. If you also need a microphone to go with your mount, check out our guides on podcast microphones with shock mount options and XLR microphones that work with shock mounts.
Top 3 Picks for Best Shock Mounts
Elgato Shock Mount for...
- Steel chassis
- Reinforced elastic suspension
- 5/8 inch native thread
SmallRig 1859 Microphone...
- Four-point suspension
- Aluminum alloy build
- Extra rubber bands included
These three stood out from the pack across all my testing scenarios. The Elgato earned the top spot for its steel construction and near-perfect vibration isolation on the Wave:1 and Wave:3. The Rode PSM1 offers incredible value for Podcaster and Procaster owners. And the SmallRig 1859 delivers professional build quality at a fraction of what most competitors charge.
Best Shock Mounts in 2026
| Product | Specs | Action |
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Elgato Shock Mount for Wave:1/3
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Rode PSM1 Shock Mount
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Audio-Technica AT8455
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Shure A55M Shockstopper
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Movo SM6 Ultraflex Shotgun Mount
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On-Stage MY410 Studio Mount
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NEEWER MS048 Shock Mount
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YOUSHARES AT2020 Shock Mount
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Movo SMM5-B Universal Recorder Mount
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SmallRig 1859 Camera Shock Mount
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Check Latest Price |
1. Elgato Shock Mount – Steel Chassis with Reinforced Elastic Suspension
Elgato Shock Mount - Maximum isolation from vibration noise, steel chassis with reinforced elastic suspension, custom built for Elgato Wave:1/3
Steel chassis
Reinforced elastic suspension
Native 5/8 inch thread
Includes 3/8 and 1/4 adapters
Custom for Wave:1/3
Pros
- Excellent vibration isolation
- Solid steel chassis built to last
- Reinforced elastic suspension
- Multiple thread adapters included
- Purpose-built for Elgato Wave mics
Cons
- Limited to Elgato Wave:1 and Wave:3 mics
- Lighter weight than some competitors
I tested the Elgato Shock Mount with my Wave:3 over a four-week streaming period, and the difference was immediately noticeable. Before adding it, every keystroke on my mechanical keyboard sent a subtle thump through the boom arm into the recording. After mounting it, those thumps essentially vanished from the audio track.
The build quality is what sets this mount apart. The steel chassis feels substantial in your hands, not like the flimsy plastic mounts that ship with some budget microphones. Elgato used glass fiber reinforced polymer for the suspension arms, and the elastic bands are thicker than what I have seen on most competitors. This combination absorbs structure-borne noise from the stand or boom arm very effectively.
One thing I appreciate is the native 5/8 inch thread. Most mainstream boom arms use this thread size, so you can mount it directly without fumbling with adapters. Elgato also includes 3/8 inch and 1/4 inch adapters in the box, which covers virtually every mounting scenario you might encounter.
The only real limitation is compatibility. This mount is custom-designed for the Elgato Wave:1 and Wave:3 microphones. If you use a different mic, you will need to look elsewhere. But if you own a Wave microphone, this is the natural pairing and the best shock mount for that specific setup.
Who Should Buy This Mount
Streamers and content creators using the Elgato Wave:1 or Wave:3 will get the most value here. The custom fit means zero guesswork on compatibility, and the steel construction handles daily streaming schedules without wearing down. If you stream for hours at a time and type on a mechanical keyboard, the vibration isolation alone justifies the purchase.
Podcasters who want a clean, professional-looking setup will also appreciate the sleek black design that blends into any streaming environment. The mount looks intentional, not like an afterthought bolted onto your boom arm.
Thread and Stand Compatibility
The native 5/8 inch thread fits most boom arms from Elgato, Blue, Rode, and other mainstream brands right out of the box. The included 3/8 inch adapter works with European-standard stands and many boom poles. The 1/4 inch adapter covers lighter-duty tripod stands, giving you three mounting options total.
I tested it on both the Elgato Mic Arm LP and a generic Amazon boom arm with 5/8 inch threading. It mounted securely on both with no wobble or threading issues. The mount weighs only 6.7 ounces, so it will not drag down lighter boom arms.
2. Rode PSM1 Shock Mount – Built for Podcaster, Procaster, and PSA1
Rode PSM1 Shock Mount For Podcaster, Procaster, PSA1, and DS1 Microphones
Thermoplastic build
360 degree rotation
3/8 inch thread adaptor
Holds up to 4.4 lbs
Direct screw-on design
Pros
- Well built and durable construction
- Excellent vibration isolation
- Rotates 360 degrees with generous reach
- Holds heavy microphones securely
- Tool-free direct screw mounting
Cons
- May sag slightly with very heavy mics
- Some PodMic USB compatibility issues reported
- Packaging could be improved
I have used the Rode PSM1 with the Rode Podcaster for about two years now, and it remains one of the most reliable shock mounts I have tested. The thermoplastic construction has held up to daily podcast recording without any cracks, loose bands, or degradation in performance.
The vibration isolation is excellent for broadcast-style dynamic microphones. I tested it by tapping the desk surface, bumping the boom arm, and even walking heavily near the recording setup. The PSM1 absorbed most of the mechanical noise, leaving only the faintest trace in the low-end frequencies. A simple high-pass filter cleaned up the rest.
What makes the PSM1 stand out is its direct screw-on design. The open end of the shock mount threads directly onto the mic stand without needing a nut, washer, or bolt. This makes setup and repositioning much faster than mounts that require tools or multiple pieces. The 360-degree rotation gives you plenty of flexibility for positioning.
Rode rates this mount for microphones up to 2 kilograms, which is about 4.4 pounds. That covers the Podcaster, Procaster, and most similar-sized broadcast mics without issue. However, some users on Reddit have reported slight sagging when mounting heavier microphones, so keep that in mind if you use a particularly heavy mic.
Microphone Compatibility Details
The PSM1 is designed specifically for the Rode Podcaster, Procaster, PSA1 boom arm, and DS1 desk stand. It fits these models perfectly with no adapters needed. If you own any of these Rode products, this is the matching shock mount you want.
Some users have reported compatibility issues with the newer PodMic USB, which has a slightly different body shape. If you are using the PodMic USB, check Rode’s current compatibility list before purchasing. For the original PodMic, Procaster, and Podcaster, the fit is perfect.
Durability Over Long-Term Use
After two years of daily use, my PSM1 shows no signs of wear on the suspension rings or the mounting thread. The thermoplastic material has proven more durable than the rubber bands used on cheaper spider-style mounts, which tend to dry out and snap after a year or two.
The mount comes with a one-year warranty from Rode, but based on my experience, the actual lifespan is far longer. Multiple Reddit users in the audioengineering community have reported three-plus years of daily use without any degradation in isolation performance.
3. Audio-Technica AT8455 – Purpose-Built for AT2020USB-X
Audio-Technica AT8455 Shock Mount for AT2020USB-X and AT2020USB-XP Microphones
Metal construction
Open front design
Dual thread 3/8 and 5/8 inch
For AT2020USB-X and XP
One-year warranty
Pros
- Effective vibration absorption
- Open front design for mic control access
- Compatible with standard mic stands
- Durable metal construction
- Purpose-built for AT USB mics
Cons
- Limited to AT2020USB-X and XP models
- Smaller review count than competitors
The Audio-Technica AT8455 is the official shock mount for the AT2020USB-X and AT2020USB-XP microphones. I tested it with the AT2020USB-X over a month of podcast recording sessions, and the vibration isolation was noticeably better than the standard mic clip that ships with the microphone.
The open front design is a thoughtful detail. It gives you easy access to the microphone’s front-panel controls, including the gain knob and headphone volume. Most shock mounts block these controls, forcing you to remove the mic to make adjustments. The AT8455 solves that problem cleanly.
Audio-Technica built this mount with metal construction, which immediately feels more solid than the plastic alternatives in this price range. At just 103 grams, it is lightweight enough that it will not weigh down your boom arm. The mount is compatible with both 3/8 inch-16 and 5/8 inch-27 threaded stands, covering the two most common standards.
The main drawback is specificity. This mount is designed for the AT2020USB-X and AT2020USB-XP models. If you have the original AT2020 (XLR version), you will need a different mount. The compatibility is narrow but perfect for the intended microphones.
Setup and Installation
Installing the AT8455 is straightforward. Thread the mount onto your mic stand or boom arm using the appropriate thread size, then slide the microphone into the suspension cradle. The elastic rings hold the mic securely without needing any tools or additional hardware.
I had it mounted and ready to record in under five minutes. The fit is snug enough that the microphone does not rotate or shift during recording, but not so tight that you struggle to remove it when needed.
Vibration Isolation Performance
In my testing, the AT8455 reduced desk-bump noise by a significant margin compared to a bare mic clip. Tapping the desk surface produced a faint trace in the recording rather than the loud thump captured without the mount. Footstep noise from a nearby hallway was also reduced to a barely perceptible level.
The isolation is not quite as complete as what you get from Lyre-style mounts like the Rycote InVision, but it is more than adequate for most home studio and podcast environments. Pair it with a high-pass filter and you will get clean, professional-sounding recordings.
4. Shure A55M Shockstopper – 20dB Noise Reduction for Handheld Mics
Shure A55M Shock Mount Microphone Clip - Shockstopper Isolation Mount and Adapter for for Handheld Mics with 3/4 (25-30mm) Barrel Diameter including Shure models SM, KSM, and more
Chrome-plated metal
20dB noise reduction
Fits 25-30mm barrel mics
3/8 and 5/8 inch threads
2-year warranty
Pros
- Reduces vibration noise by over 20 decibels
- Secure grip on compatible microphones
- Works with multiple Shure mic models
- Chrome-plated metal construction
- 2-year warranty
Cons
- Limited to microphones with 3/4 inch barrel diameter
- Lower 5-star rating than top competitors
The Shure A55M Shockstopper is a specialized isolation mount designed for handheld microphones with a 3/4 inch barrel diameter. I tested it with the Shure SM58 and Beta 58A, and Shure’s claim of reducing mechanical noise by more than 20 decibels held up in my recordings.
This mount is specifically designed for Shure models including the SM57, SM58, SM86, Beta 57A, Beta 58A, Beta 87A, Beta 87C, and KSM109. If you use any of these microphones for live performance or studio recording, the A55M provides a measurable improvement in vibration isolation.
The chrome-plated finish looks professional and resists corrosion. The metal construction feels solid and durable, which is what you expect from Shure’s accessory lineup. The mount fits both 3/8 inch and 5/8 inch threaded stands, covering the standards used by most mic stands and boom arms.
One thing to keep in mind is that this mount is designed for a specific barrel diameter. If your microphone does not fall within the 25-30mm range, the A55M will not fit properly. This is not a universal mount, so verify your microphone diameter before purchasing.
Best Use Cases
Live sound engineers who need to isolate handheld microphones from stand-borne vibrations will benefit most from the A55M. In a studio setting, it works well for taming mechanical noise on SM57 and SM58 mics mounted on stands for instrument recording.
Church and venue installations that use Shure Beta series microphones will also find this mount useful for reducing handling noise during performances and services.
How It Compares to Suspension Mounts
The A55M uses a different isolation approach than spider-style suspension mounts. Instead of elastic bands suspending the mic, it uses internal shock-absorbing material within the clamp itself. This design is more compact and durable but provides slightly less isolation than a full cat’s cradle suspension system.
In my testing, the 20dB reduction claim was accurate for mid-frequency mechanical noise. For very low-frequency rumble (under 60Hz), the reduction was less dramatic. For most live sound and broadcast applications, the A55M hits a good balance of isolation, durability, and compact size.
5. Movo SM6 Ultraflex – Dual Shock Absorbers for Shotgun Mics
Movo SM6 Ultraflex Premium Shockmount for Shotgun Microphones – Compatible with Rode NTG Series, Sennheiser MKE600, Audio-Technica AT875R, and More
Fits 0.7-0.9 inch mics
Dual shock absorbers
Cable management
1/4 inch thread mount
For NTG, MKE600, AT875R
Pros
- Broad shotgun microphone compatibility
- Ultraflex dual shock absorbers
- Integrated cable management system
- Works indoor and outdoor
- US-based support with warranty
Cons
- Smaller review count at 60 reviews
- Synthetic foam may degrade over time
The Movo SM6 Ultraflex is designed for shotgun microphones used in video production, field recording, and filmmaking. I tested it with the Rode NTG2 and Sennheiser MKE600, and it handled both mics without any fitting issues. If you also need shotgun microphones with shock mount compatibility, this mount pairs well with many popular options.
The standout feature is the Ultraflex technology with dual shock absorbers. Unlike single-band mounts that can transfer vibrations in certain directions, the dual absorber design isolates the microphone from multiple angles. This makes a real difference when recording while moving or when the boom pole is subject to wind and handling noise.
The integrated cable management system is a practical touch. Running the microphone cable through the designated channels prevents it from swinging and creating additional noise. This is especially important for field recording where cable slap can ruin an otherwise clean take.
The SM6 fits microphones with diameters between 0.7 and 0.9 inches, which covers most popular shotgun mics including the Rode NTG series, Sennheiser MKE600, and Audio-Technica AT875R. It mounts to cameras, tripods, and boom poles via a 1/4 inch thread.
Field Recording Performance
I took the SM6 on an outdoor field recording session, mounting it on a boom pole for a short film shoot. Wind and handling noise were significantly reduced compared to the standard rubber-band mount I previously used. The dual absorber design kept the mic stable even during quick boom movements.
The synthetic foam and Lyre construction held up well during transport. However, I would recommend storing the mount in a protective case when not in use, as the foam components could degrade over extended periods of rough handling.
Indoor Studio Use
Back in the studio, the SM6 performed equally well mounted on a desktop tripod for voiceover work. The 1/4 inch thread adapter makes it compatible with smaller tripods and camera rigs, giving you flexibility across different recording setups without needing multiple mounts.
The mount weighs only 100 grams, which means it will not overload lighter camera rigs or compact boom poles. For video creators who record both indoors and on location, the SM6 is a versatile single-mount solution.
6. On-Stage MY410 – Heavy-D Steel Mount for Large-Diaphragm Condensers
On-Stage MY410 Shock Mount for Studio Mics (42–48 mm) (Elastic Suspension Mount for Large-Diaphragm Condenser Microphones, Adjustable, Vibration Isolation, Steel Adapter, 5/8"-27 Threading, Black)
Alloy steel build
Fits 42-48mm mics
5/8 inch-27 thread
EVA-rubber lining
Powder coated finish
Pros
- Elastic suspension isolates from external rumble
- Adjustable 42-48mm opening for condenser mics
- Nonslip EVA-rubber lining protects mic finish
- Heavy-duty steel construction
- Standard 5/8 inch thread for easy compatibility
Cons
- Limited stock availability
- Tight fit on some microphone bodies
The On-Stage MY410 is built for large-diaphragm condenser microphones with body diameters between 42 and 48mm. I tested it with an Audio-Technica AT2035 and an older AKG Perception microphone, and the elastic suspension effectively isolated both from desk vibrations and stand-transmitted noise.
The heavy-duty steel construction is immediately apparent when you pick it up. This mount weighs 0.6 pounds and feels like it could survive being dropped without damage. The powder-coated champagne finish looks professional and resists scratches from regular use.
One feature I really appreciate is the nonslip EVA-rubber lining inside the microphone cradle. This protects your microphone’s finish from dents and scratches, which is important if you are using expensive studio condensers. The lining also provides additional grip to prevent the mic from rotating during recording.
The 5/8 inch-27 threaded adapter is a drop-in replacement for most standard mic clips. This means you can swap out a basic clip mount for the MY410 without changing anything else in your setup. The mount fits standard mic stands, boom arms, and boom poles with this threading.
Fitting Your Microphone
The adjustable opening accepts microphones from 42 to 48mm in diameter. This covers most large-diaphragm condenser microphones from Audio-Technica, Rode, AKG, and similar brands. Measure your microphone body diameter before ordering to ensure compatibility.
Some users have noted that the fit can be tight on certain microphone models. The elastic bands need to stretch to accommodate the mic, which provides secure holding but can make installation slightly challenging on the upper end of the diameter range.
Long-Term Elastic Band Performance
The elastic suspension bands are replaceable, which extends the lifespan of the mount significantly. Over time, elastic bands can lose tension or snap, especially in dry climates. On-Stage provides replacement bands, so you can refresh the mount without buying an entirely new unit.
In my testing, the bands maintained consistent tension over a six-week period of daily use. For long-term reliability, keep spare bands on hand and replace them annually if you record frequently.
7. NEEWER MS048 – Budget Spider Mount for 46-50mm Condenser Mics
NEEWER Microphone Shock Mount, Mic Holder for Stand & Boom Arm with Elastic Ropes & 3/8" to 5/8" Screw Adapter, Fits Mics of 1.8" to 2" (46 to 50mm) Diameter, MS048
Fits 46-50mm mics
Reinforced elastic ropes
3/8 to 5/8 inch adapter
Plastic body
Boom arm compatible
Pros
- Fits microphones from 46 to 50mm diameter
- Reduces vibrations for quieter recordings
- Reinforced elastic ropes hold mic securely
- Includes 3/8 to 5/8 inch adapter
- Excellent value for the quality
Cons
- Plastic construction less premium than metal
- Elastic ropes may need replacement over time
The NEEWER MS048 is one of the best budget shock mounts I have tested. At this price point, I expected flimsy construction and mediocre isolation, but the MS048 surprised me with solid build quality and effective vibration reduction. I tested it with a condenser microphone measuring 48mm in diameter, and the fit was snug and secure.
The reinforced elastic ropes do a genuinely good job of suspending the microphone away from mechanical vibrations. I tested desk taps, typing noise, and boom arm movement. The MS048 reduced all of these noticeably compared to a standard rigid mic clip. It will not match the isolation of a Rycote Lyre mount, but for the price, the performance is impressive.
NEEWER includes a 3/8 inch to 5/8 inch screw adapter, which means this mount fits virtually any mic stand or boom arm. Whether you use a US-standard 5/8 inch thread or a European 3/8 inch thread, you are covered. The adapter threads in securely and does not wobble during use.
The plastic body is the main trade-off at this price. It does not have the premium feel of the steel Elgato or the alloy On-Stage mounts, but it is functional and lightweight. For podcasters and home studio owners on a budget, the MS048 delivers where it counts.
Microphone Compatibility Notes
The MS048 fits microphones from 1.8 to 2.0 inches (46 to 50mm) in diameter. This range covers many popular condenser microphones including the Audio-Technica AT2020, AT2035, and similar-sized models. Always measure your mic body before ordering, as some condensers fall outside this range.
NEEWER also offers variants including the MS043, MH3, and MH1 for different microphone sizes. If the MS048 does not fit your mic, check whether one of these alternatives matches your microphone diameter.
When to Replace the Elastic Ropes
The reinforced elastic ropes are durable but will eventually lose tension with heavy use. Signs that replacement is needed include visible sagging of the microphone, reduced vibration isolation, or ropes that appear stretched or brittle. NEEWER sells replacement ropes, and standard elastic bands from hardware stores can also work as substitutes.
For most home studio users, the ropes should last at least a year of regular use. If you record daily for multiple hours, consider keeping a spare set on hand for when the originals wear out.
8. YOUSHARES AT2020 Shock Mount – Budget Option for AT Mics
YOUSHARES AT2020 Shock Mount, Microphone Shock Mount Reduces Vibration Noise for Audio Technica AT2020 AT2035 ATR2500 Condenser Mic
Fits 47-51mm mics
PVC construction
Elasticity rope suspension
3/8 to 5/8 inch adapter
For AT2020 and AT2035
Pros
- Great budget option for AT2020 and similar mics
- Effectively reduces vibration noise
- Snug fit holds microphone securely
- Metal clasp adds durability point
- Compatible with multiple AT mic models
Cons
- PVC construction feels cheap
- Delicate connector between arm and float
- Potential thread stripping with overtightening
The YOUSHARES AT2020 Shock Mount is the budget champion for Audio-Technica microphone owners. I tested it with the AT2020 and AT2035, and it provided a noticeable improvement over using no shock mount at all. The fit is designed specifically for these microphone models, so there is no guessing about compatibility.
For the price, the vibration reduction is solid. The elasticity rope suspension absorbs desk vibrations and handling noise well enough for most home recording scenarios. It will not compete with premium Lyre suspension systems, but at this price point, it does not need to.
The mount fits microphones with diameters between 47mm and 51mm, covering the AT2020, AT2020USB, AT2020USB+, and AT2035. A 3/8 inch to 5/8 inch screw adapter is included, so it works with both common thread standards without any additional purchases.
The main downside is build quality. The PVC construction feels noticeably cheaper than the metal mounts higher on this list. Several users have reported that the connector between the arm and the suspension ring can feel delicate, so handle it with care during installation and adjustment.
Value Comparison Against Premium Options
At roughly one-third the price of the Rode PSM1 and one-quarter the price of premium Lyre mounts, the YOUSHARES offers outstanding value for budget-conscious creators. It provides most of the vibration isolation benefit at a fraction of the cost, making it ideal for beginners and home studio owners.
If you are just starting with podcasting or voiceover work and have an AT2020, this mount gives you the biggest bang for your buck. You can always upgrade later when your budget allows.
Installation Tips to Avoid Issues
When threading the mount onto your stand, avoid overtightening. Several users have reported thread stripping when applying too much force. Thread it on until snug, then stop. If you need additional security, use a thread-locking compound rather than excessive torque.
When inserting the microphone, stretch the elastic ropes gently rather than forcing the mic through. This prevents stress on the suspension components and extends the life of the mount.
9. Movo SMM5-B Universal – Shock Mount for Portable Recorders
Movo SMM5-B Universal Microphone and Portable Recorder Shock Mount - Fits the Zoom H1n, H2n, H4n, H5, H6, Tascam DR-40x, DR-05x, DR-07x and others with a 1/4" Mounting Screw (Black)
Fits Zoom H series
Hot shoe or 1/4 inch mount
ABS construction
20dB shock reduction
Designed in Los Angeles
Pros
- Universal design works with cameras and recorders
- Approximately 20dB shock reduction
- Sturdy ABS build quality
- Compatible with Zoom H series and Tascam recorders
- Great value for the price
Cons
- May not support heavier recorders like H5 Studio
- Slightly less isolation than cat's cradle designs
The Movo SMM5-B is a universal shock mount designed for portable recorders like the Zoom H1n, H2n, H4n, H5, H6, and Tascam DR-40x, DR-05x, and DR-07x. I tested it with a Zoom H4n for field recording, and it mounted cleanly via the 1/4 inch thread connection with no adapters needed.
The universal mounting design is this product’s biggest strength. You can attach it via a camera hot shoe or a standard 1/4 inch thread to tripods, boom poles, or camera rigs. This makes it incredibly versatile for video creators who need to mount portable recorders on camera setups. If you need wireless microphones for video production, the SMM5-B complements those setups well for wired recorder use.
Movo claims approximately 20dB of shock reduction, and my testing confirmed this is in the right ballpark. Handling noise from boom pole movements and camera rig vibrations was significantly reduced in my recordings. It is not quite as effective as a full cat’s cradle suspension design (which typically achieves around 22dB reduction), but the compact form factor makes up for the slight difference.
The ABS construction is lightweight at just under 2 ounces, which means it will not add noticeable weight to your camera rig or boom pole setup. The low-profile design also helps reduce movement and noise compared to bulkier suspension mounts.
Recorder Compatibility Guide
The SMM5-B is compatible with the Zoom H1n, H2n, H4n, H5, H6, and Tascam DR-40x, DR-05x, and DR-07x. It uses a 1/4 inch mounting screw, which is the standard thread on these portable recorders. If your device has a 1/4 inch thread, this mount will likely fit it.
For heavier recorders like the Zoom H5 Studio or H6 with attached modules, the mount may struggle to provide adequate support. The SMM5-B is best suited for lightweight recorders and handheld microphone setups.
Camera Mounting Setup
To mount on a camera, use the hot shoe attachment on top of your DSLR or mirrorless camera. The SMM5-B locks into the hot shoe slot and positions the recorder securely above the camera body. This is ideal for run-and-gun video shooting where you need synced audio from a portable recorder.
For boom pole mounting, thread the 1/4 inch connection directly onto the boom pole tip. The mount holds the recorder steady during boom movements while absorbing handling vibrations through the suspension system.
10. SmallRig 1859 – Aluminum Alloy Mount for Camera and Boompole
SmallRig Microphone Shock Mount with Cold Shoe Pinch for Camera Shoes and Boompoles 1859
Aluminum alloy build
Fits 15-40mm mics
Four-point suspension
3/8 inch-16 thread
Extra rubber bands included
Pros
- Premium aluminum alloy construction
- Extra rubber bands and 5/8 to 3/8 inch adapter included
- Excellent vibration isolation
- Versatile hot shoe and boompole mounting
- Outstanding value
Cons
- Hot shoe can slide off camera when tightened
- May need locking cold shoe for security
The SmallRig 1859 is the best value shock mount I tested in this entire roundup. For the price, you get a well-machined aluminum alloy mount with four-point suspension, a built-in hot shoe, and extra rubber shock bands included. The build quality feels closer to something three times the price.
The four-point suspension design accommodates shotgun microphones from 0.59 to 1.57 inches (15 to 40mm) in diameter. That is one of the widest compatibility ranges on this list, covering everything from compact camera mics to larger shotgun microphones. I tested it with a Rode VideoMic and a larger NTG-style mic, and both fit securely.
Vibration isolation is excellent for the price. The rubber suspension bands absorb handling noise and boom pole vibrations very effectively. In my recording tests, the 1859 nearly eliminated handling noise from camera movements and boom adjustments. SmallRig includes a spare set of rubber bands, which is a thoughtful addition that extends the mount’s lifespan.
The 3/8 inch-16 thread connection works with boom poles and hand grips, while the built-in hot shoe allows direct camera mounting. An adjustment knob lets you change the microphone angle quickly without tools, which is useful during fast-paced shooting scenarios.
Camera Rig Integration
For camera users, the SmallRig 1859 integrates seamlessly into rig setups with cages, top handles, and cold shoe adapters. The hot shoe mount slides into standard camera shoes or SmallRig cold shoe adapters. This makes it a natural choice for DSLR and mirrorless shooters who already use SmallRig ecosystem accessories.
One cautionary note: several users have reported that the hot shoe can slide off the camera even when tightened. If you are using an expensive microphone, consider adding a locking cold shoe adapter for extra security. This is a minor issue but worth addressing to protect your gear.
Boom Pole Performance
Threaded onto a boom pole via the 3/8 inch-16 connection, the 1859 performed admirably during my field recording tests. The four-point suspension kept the shotgun mic stable during boom movements, and the rubber bands absorbed the vibrations from hand movements traveling up the pole.
The included 5/8 inch to 3/8 inch adapter also means you can use this mount on US-standard boom arms and mic stands, not just boom poles. This versatility makes the SmallRig 1859 one of the most flexible mounts on this list for the price.
Buying Guide: How to Choose the Best Shock Mount
Choosing the right shock mount comes down to four key factors: microphone compatibility, thread size, build quality, and intended use case. Here is what to check before you buy.
Microphone Diameter and Weight Compatibility
This is the most critical factor. Every shock mount is designed to fit a specific range of microphone diameters. Before purchasing, measure your microphone body diameter and compare it to the mount’s specifications. A mount that is too small will not fit your mic, and one that is too large will not hold it securely.
Weight capacity also matters. Heavy condenser microphones can sag in mounts designed for lighter mics, which reduces isolation effectiveness and can cause the mic to slip. Check the manufacturer’s weight rating and make sure your microphone falls within the specified range.
Forum users on Reddit frequently mention compatibility confusion as their top pain point. Always verify both diameter and weight specifications before ordering, and check whether the mount is universal or designed for a specific microphone model.
Thread Size: 5/8 vs 3/8 inch
Microphone stands and boom arms use either 5/8 inch-27 threading (US standard) or 3/8 inch-16 threading (European standard). Most quality shock mounts include an adapter for both, but it is worth confirming before purchase. If your stand and mount use different thread sizes and no adapter is included, you will need to buy one separately.
Camera-mounted shock mounts typically use 1/4 inch threads or hot shoe connections instead of the standard mic stand threads. If you plan to mount on a camera rig or tripod, verify the connection type matches your equipment.
Types of Shock Mounts
Spider shock mounts use elastic bands arranged in a ring pattern to suspend the microphone. These are the most common type for studio condenser microphones. They provide good isolation but the bands eventually wear out and need replacement.
Lyre suspension mounts use flexible plastic or metal arms (Lyres) instead of elastic bands. Rycote pioneered this technology, and it offers superior durability since there are no bands to snap or lose tension. Lyre mounts tend to be more expensive but last longer.
Rubber ring mounts, like the Shure A55M, use internal shock-absorbing material within a compact clamp design. These are typically used for handheld microphones and offer moderate isolation in a compact form factor.
Build Material: Metal vs Plastic
Metal construction (steel, aluminum alloy) is more durable and provides better lateral impact protection than plastic. Forum users consistently recommend metal mounts over plastic ones, especially for professional use. The trade-off is weight and cost.
Plastic mounts are lighter and cheaper, making them suitable for budget setups and lightweight recording scenarios. If you go the plastic route, look for reinforced polymers rather than basic PVC, which can crack under stress.
When You Need a Shock Mount
Condenser microphones are highly sensitive to vibrations and almost always benefit from a shock mount. Dynamic microphones are less sensitive but still pick up low-frequency rumble from desk vibrations and handling. If you record in a space with wooden floors, shared walls, or heavy foot traffic, a shock mount will improve your audio quality noticeably.
For podcasting, streaming, and voiceover work, a shock mount is a worthwhile investment. For field recording and film production, it is essentially mandatory to achieve clean audio.
FAQs
What is a shock mount?
A shock mount is a microphone accessory that isolates the mic from mechanical vibrations using elastic bands, rubber rings, or Lyre suspension arms. It prevents vibrations from desk movement, footsteps, and handling from reaching the microphone capsule and ruining your recordings.
Do condenser mics need a shock mount?
Yes, condenser microphones are highly sensitive to vibrations and almost always benefit from a shock mount. Their sensitivity to low-frequency sounds means they easily pick up desk vibrations, footsteps, and handling noise that a shock mount would eliminate.
Are shock mounts universal?
Some shock mounts are universal and fit a range of microphone diameters, while others are designed for specific microphone models. Universal mounts typically accommodate 42-50mm diameter microphones but may not hold all mics securely. Always check the diameter and weight specifications before purchasing.
How do I install a shock mount on a mic stand?
Thread the shock mount onto your mic stand or boom arm using the matching thread size (5/8 inch or 3/8 inch). If the threads do not match, use the included adapter. Then gently stretch the elastic bands or suspension arms and slide your microphone into the cradle until it sits securely.
What is a spider shock mount?
A spider shock mount is a suspension device that uses elastic bands arranged in a ring or web pattern to suspend the microphone. The name comes from the web-like appearance of the stretched bands. This is the most common type of shock mount for studio condenser microphones.
What are the best shock mounts for Blue Yeti?
The Blue Radius III is the most commonly recommended shock mount for the Blue Yeti among forum communities. For universal alternatives, look for mounts that accommodate microphones in the 55-60mm diameter range, which is the Yeti’s body size.
Conclusion
The best shock mounts make a measurable difference in recording quality by eliminating the mechanical vibrations that muddy your audio. After testing ten mounts across studio, streaming, and field recording scenarios, the Elgato Shock Mount stands out as my top pick for Wave:1 and Wave:3 owners, thanks to its steel chassis and reinforced elastic suspension. The Rode PSM1 delivers exceptional value for Podcaster and Procaster users, while the SmallRig 1859 offers unmatched build quality for the price.
No matter which mount you choose, the key is matching it to your specific microphone diameter, weight, and thread type. The best shock mounts only work when they fit your setup correctly. Pair your chosen mount with a good pop filter and a quality boom arm, and you will hear the difference in your very next recording session.
